Alexander J. Motyl is professor of political science at Rutgers University-Newark, as well as a writer and painter. He served as associate director of the Harriman Institute at Columbia University from 1992 to 1998. A specialist on Ukraine, Russia, and the USSR, and on nationalism, revolutions, empires, and theory, he is the author of Pidsumky imperii; Puti imperii; Imperial Ends: The Decay, Collapse, and Revival of Empires; Revolutions, Nations, Empires: Conceptual Limits and Theoretical Possibilities; Dilemmas of Independence: Ukraine after Totalitarianism; Sovietology, Rationality, Nationality: Coming to Grips with Nationalism in the USSR; Will the Non‑Russians Rebel? State, Ethnicity, and Stability in the USSR; The Turn to the Right: The Ideological Origins and Development of Ukrainian Nationalism, 1919–1929; and the editor of more than ten volumes, including The Encyclopedia of Nationalism. Motyl’s novels include Whiskey Priest; Who Killed Andrei Warhol; Flippancy; The Jew Who Was Ukrainian; and a work in progress, My Orchidia. His poems have appeared in Counterexample Poetics, Istanbul Literary Review, and New York Quarterly (forthcoming). He has done performances of his fiction at the Cornelia Street Café, the Bowery Poetry Club, and the Ukrainian Museum in New York. Motyl’s artwork has been shown in solo and group shows in New York, Philadelphia, and Toronto; his art is represented by The Tori Collection.
A distinguished group of Ukrainian and Western analysts has recently argued that Europe should make Ukraine’s integration into European institutions conditional on the Yanukovych regime’s adherence to democratic standards. Thus, they argue: “The EU should advance free trade and political agreements only if the Yanukovych administration demonstrates its clear commitment to European values.” In other words, no democracy in Ukraine, no integration with Europe. Read the story here.
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